Initials are a digital watermark.
More paintings...

Here is a slide which is a little grainy, but in focus. The color is not
as fresh as the actual painting
(the slide is a tad darker than the painting). This slide is
extremely close to the painting.
Also
and
More...

Above is an excellent slide (yet, not as detailed as the first).
The painting is a detailed combination of these two images regarding color and intensity.



The above three images are from the same slide. There are two black dots on the slide which is lint (in the middle-left portion of the flag). This slide was taken with recessed florescent lighting and appropriate slide film. The painting is at an angle to avoid a glare. I used the school's tripod. It was stretched perfectly (used straight wood which did not warp) before rolling the canvas and storing it. This slide shows a blurry representation of my "signature" in dark blue which (if I remember correctly) I am almost positive has"A.Allegrone" printed (not in cursive and painted) at an upwards angle (towards the upper right reading left to right) on the bottom right corner of the painting. My other images are from scanned slides of this painting which have all been masked with silver tape (therefore cropped for relatively "acceptable" presentation purposes). The colors and density is as close to the painting as possible. I can tell these colors are accurate from the small paintings in the background which I have upstairs here.
I added a little yellow and magenta to the
same slide below to view the painting under slightly different lighting
conditions:

Andrea Allegrone. The Search: JFK Jr., Carolyn, and Her Sister.
5.5'x8'x2." Acrylic and Oil (not mixed: adjacent). 1999. The flag is
painted with oil and the remaining water is painted with stained acrylic
layers. It has two finishing coats of Polycrylic and the sides of the painting
are painted. The digital initials are not on the actual painting. This
painting is stored out-of-state and it took me one month to restore (slightly
retouch-mostly the sides from moving), take the staples off, “de-stretch”
the canvas, and roll over 30 paintings (this is why the exact printed name or
printed initials is not an issue for me). This painting has been de-stretched
(taken off the wooden stretchers and rolled carefully around a smooth 6"
pipe (diameter). Thick plastic-drop cloth is rolled around the painting and it
is stored in a cool, dry place. My website is: AndreaAllegrone.com The
Search can be viewed at: The Search
and more of The
Search (scroll down).
The Search… was and is a tribute painting. I remember watching CNN
during the search. In my opinion, the search represents hope and draws
attention to extremely popular people who had "public" lives and had
to deal with this exposure daily. This attention is not meant for everyone.
This is a favorite painting of mine and of onlookers. I actually had a car
accident before I had finished this painting. I had almost painted all of the
stars on the flag, when I was injured in a total car wreck. After weeks had
passed I had almost forgotten about placing all of the stars on the painting
since I was a full-time student with two jobs, no life, and no sleep (and the
accident was not even my fault-it was unavoidable). (Yet, I was extremely
excited and “happy” to be painting in the large studio facility.) I
had actually taken slides and sent them out all over
Now, money does not grow from trees and sometimes holding a job which allows
for a physical medical condition and “call-in” time is necessary.
I had a condition for over fourteen years which was ignored by at least three
specialists in the field. “You’ll grow out of it” or it
is quite “normal,” the costly “specialists” would
insist. I even had a gallery call a surgery “elective”
and unnecessary. It was not elective in order to function or
keep any type of job at all. If only the gallery could have seen me
overdosed on pain killers and alcohol vomiting in an emergency room, they would
not have mocked the situation. Excruciating monthly pain with
ovarian ruptured lesions/cysts was “normal.” It had gone too
far. I remember spending at least two Christmas holidays in bed unable to
move from paralyzing pain. So, whose fault is it when about fifteen years
pass by being “invisible?” The responsible approach is to pay
the bills. One is born an artist. If society does not accept that,
it is out of ignorance and jealousy or fear of not understanding
creativity.